Boyzone 男孩特區
Back Again... No Matter What
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2008年11月11日 星期二
Boyzone 男孩特區 - Back Again... No Matter What
Boyzone 男孩特區
Back Again... No Matter What 真的要去討厭一個人的時候 先想想他的好唄~
Keane 基因樂團 - Perfect Symmetry
Keane 基因樂團 - Perfect Symmetry
唱片公司：Interscope/Island
發行日期：2008年10月14日
歌曲風格：Alt. Rock
專輯語言：英語
專輯曲目：
01. Spiralling
02. Lovers Are Losing
03. Better Than This
04. You Haven't Told Me Anything
05. Perfect Symmetry
06. You Don't See Me
07. Again & Again
08. Playing Along
09. Pretend That You're Alone
10. Black Burning Heart
11. Love Is the End
分享你生命中快樂的事 分享你生命中難過的事 分享你生命中一切的一切
你會發現 分享也是一種獲得
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Laura Pausini 蘿拉普西妮 - Primavera In Anticipo
Laura Pausini 蘿拉普西妮 - Primavera In Anticipo
專輯類別：音樂 / 歐美流行
壓縮比特率：Vbr 190Kbps
授權方式：共享版
發行年份：2008
音樂流派：POP
專輯簡介：
意大利首席女聲 Laura Pausini 蘿拉普西妮
Laura 的新專輯名稱為 Primavera in Anticipo (義) / Primavera Anticipada (西)
這一張專輯，是意大利一姐 Laura Pausini 在 2008年發行的全新專輯《Primavera In Anticipo》，也是她的第十張個人錄音室專輯，
最早將於 11月14號正式發售。這是專輯的意大利語版，西班牙語版。En Cambio No 將是墨西哥電視劇 En Nombre del Amor 的主題曲，
Laura 與 James Blunt 的對唱曲為專輯同名歌曲 (有拍 MV)，(因此目前已確定的曲目為 "Invece No" 及 "Primavera in Anticipo")。
Laura 花了約一年的時間，在義大利、倫敦及洛杉磯錄制新專輯。根據 Warner Music Italy 的網頁說明，專輯發行日期預定為 11月14日。
至於其它區...不知。巡回演唱會可能從 2009年02月開始 ?! (仍待官網宣布) 根據西班牙電臺節目 "Dialtalcual" 09月20日的內容
-10月18日，Laura 將出席西班牙電臺 "Cadena Dial" 的活動 [Gala "Lo mejor de aqui y de alli"]
這天將首次現場演唱單曲 "En Cambio No" (這個活動 Luis Fonsi 似乎也會參加，或許兩人有機會合唱一下)
-同一天 Laura 還將接受 Cadena Dial 的電臺節目 "Dial tal cual" 的訪問，會在節目上談新專輯
-10月04日將在西班牙電臺首播 "En Cambio No"
中國有鄧麗君，意大利有 Laura Pausini，我相信 Laura Pausini 的名字，對於每一個歐美音樂的 fans 來說，對於如今的流行樂壇來說，
已經不僅僅是一位歌手的名字，而是一個輝煌的音樂傳奇。Laura Pausini 的這張新專輯，同 Tiziano Ferro 的新專輯一樣，匯聚了很多
知名歌手的音樂人的力量。一共十四首歌曲，Laura 本人幾乎是包辦了歌詞的創作，而在作曲方面，她也展現了功時，同時著名音樂人
Paolo Carta、Gianluca Grignani 和 Antonio Galbiati 等人，也會別在作曲方面建功。之前早早就放出消息說，在新專輯中，Laura
將和紅得發紫的 James Blunt 有合作，而這也成了新專輯的最大亮點，主打歌《primavera in anticipo》就是由二人共同演唱的。
之前的網志裡我也曾給大家介紹了 Laura Pausini 在 2008年的新單曲《Invece No》(西班牙語版《En Cambio No》) ，
那今天這裡，你可以在線上完整收聽新專輯中的這首《Mille Braccia》，這是新專輯中我相當喜歡的一首歌，
Laura 極富穿透性的嗓音，加上鮮明的節奏，聽上去讓人相當的有力量。
Tracklist 專輯曲目：
01. Mille Braccia
02. Invece No
03. Primavera In Anticipo (It Is My Song) - (feat. James Blunt)
04. Nel Modo Piu Sincero Che C'e
05. Un Fatto Ovvio
06. Il Mio Beneficio
07. Prima Che Esci
08. Piu Di Ieri
09. Bellissimo Cosi
10. L'impressione
11. La Geografia Del Mio Cammino
12. Ogni Colore Al Cielo
13. Sorella Terra
14. Un Giorno Dove Vivere (iTunes Bonus)
15. Agora Nao (iTunes Bonus)
試聽
分享你生命中快樂的事 分享你生命中難過的事 分享你生命中一切的一切
你會發現 分享也是一種獲得
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[電影原聲帶] Miracle at St. Anna 聖安娜奇跡
[電影原聲帶]
Miracle at St. Anna 聖安娜奇跡
專輯歌手：Terence Blanchard
專輯類別：音樂 / 原聲音樂
發行時間：2008年09月23日
授權方式：共享版
授權版本：Score
發行地區：美國
專輯語言：英語
專輯介紹：
還記得以前 Spike Lee 的《Miracle at St. Anna》嗎？電影仍然遙遠，據說要到 2009年才能上映，咱們的消息還要跟它兩年。
現在一號男主角的人選已經敲定了，據說在最初是要邀請動作派影星 Wesley Snipes 的，可他卻由於個人原因無法離開美國前往影片拍攝地意大利。最終確定的主角是頗受矚目的年輕一代演員 Derek Luke。不過這個結果是我希望看到的，我個人認為對於一部表現二戰中黑人部隊英勇史實的電影，主角選用動作派出身的老演員 Wesley Snipes 多少會讓人很難沖破他以往電影中的角色。如果選擇年輕的 Derek Luke，會讓人擁有更多的新鮮感，他在《Catch a Fire》中的表演也很對《Miracle at St. Anna》的味道，就好像 Denzel 曾經拿到奧斯卡最佳男配角的《Glory》一樣。
電影故事發生在意大利，意大利在文藝復興時期的建築風格，盡管在部分歐洲國家也有一些，但為了電影的真實，Spike Lee 作出了意大利實地取景拍攝的決定。盡管影片拍攝還在準備階段，不過 Touchstone（試金石公司）已經開始商談電影的發行問題，這部電影頗受關注。
除 Derek Luke 外，《Barbershop》系列中的 Michael Ealy 也會加盟，他的外形特別像二戰時期的黑人形象。還有經常演軍人形象的 Laz Alonso。特型演員（胖）Omar Benson Miller。另外有兩名白人演員 John Turturro 和 James Gandolfini，估計是反派了。
這種影片表現黑人軍隊的電影，演員實在太多，一一介紹不太現實了，還是靜候後續消息吧。
原聲介紹：
Very thanks to scorenotes about the next soundtrack explaining!
About the Soundtrack: Again reuniting with Spike Lee, composer Terence Blanchard continues his ongoing collaboration with the director for "Miracle at St. Anna," a film set in World War 2 depicting the hardships of four african-american soldiers trapped behind enemy lines. The soundtrack is comprised of 24 tracks (75 minutes!), all of which is bona fide score material, and is arranged primarily as various theme sets. Regarding its length -- there is a great wealth of music on this release, including some tracks that are over 10 minutes long, thus the running time is above average.
What You Need to Know: Pre-conceptions can, at times, lead to disappointment. That is the case here as it relates to my expectations from this score. Given that the storyline of the film brimmed with promise, I was hoping the score would be a soaring, dramatic body of work that would move me. What I ended up with was a score that didn't really hit it's stride until the final act, which by then, was too late.
The soundtrack begins deliberately, with a slow moving pace that is geared toward a build up of some sort that finally arrives in track 5. That some of these initial tracks were dubbed as "themes" was a little confusing since I couldn't really detect a significant enough a motif that can categorize them as so. And speaking of which -- many of the tracks laid out on this score are indeed represented as "themes" in their titles, such as the "War is Hell" theme that appears three times in all on the soundtrack. While I love the promise of a score that categorizes segments of is music as related themes, I think it is even more important to deliver on these titles with material that is significant enough to be categorized as such.
Focusing on the most effective of the themes, the aforementioned "War is Hell" is the best of the lot. It's in these tracks that Blanchard hits dramatic crescendos that I felt was necessary for a film such as this. The three cues from the 'War is Hell' segment are broken apart at different points on the album but are connected thematically in their structure and vary in tone when needed. Paced intermittently by military style drum rolls and percussion, I really enjoyed these pockets of music, including the cue that spans over 10 minutes in length (which very well felt like a suite).
The Main Theme that begins so weakly at the outset of the soundtrack later resurfaces near the album's conclusion to a far better fate. As I mentioned earlier, Blanchard hits his stride late in the game on this one and a lot of that has to do with how well the Main Theme is presented in it's final rendition. Likewise, the end credits, where the music offered a bit of a better, dramatic flow to it.
I suppose my key issue with "Miracle at St. Anna" is that the score never quite seemed to present itself in a unified manner. There is a sour palette that is often heard through the notes and felt as if the instruments never quite seemed to synchronize. Granted, I am certain it was Blanchard's intention to force the music to be at odds with itself, specifically when dealing with the Nazis, but I was hoping for a bit more poignancy from the work. At no time was I taken aback with emotion nor did I ever feel a strong connection with the style of music.
Final Score: A bit of a misfire, "Miracle at St. Anna" isn't all too bad but it simply doesn't offer enough consistency or emotion throughout. Granted, the soundtrack produces a nice send off with it's final 5 tracks, but there are too many lukewarm moments to get through to truly enjoy the payoff. I'd take a pass on this one.
原聲作者介紹：
分享你生命中快樂的事 分享你生命中難過的事 分享你生命中一切的一切
你會發現 分享也是一種獲得
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